Four anthropologists, Elise Edwards, Ann Elise Lewallen, Bridget Love and Tomomi Yamaguchi, draw on their fieldwork experiences in Japan to demonstrate collectively the inadequacy of both the Code of Ethics developed by the American Anthropological Association (AAA) and the dictates of Institutional Review Boards (IRB) when dealing with messy human realities. The four candidly and critically explore the existential dilemmas they were forced to confront with respect to this inadequacy, for the AAA 's code and IRBs consider neither the vulnerability and powerlessness of ethnographers nor the wholly unethical (and even criminal) deportment of some informants. As Jennifer Robertson points out in her Introduction, whereas the AAA 's Code tends to perpetuate the stereotype of more advantaged fieldworkers studying less advantaged peoples, IRBs appear to protect their home institutions (from possible litigation) rather than living and breathing people whose lives are often ethically compromised irrespective of the presence of an ethnographer. In her commentary, Sabine Fr hst ck, who incurred ample experience with ethical dilemmas in the course of her pathbreaking ethnographic research on Japan 's Self-Defense Forces, situates the four articles in a broader theoretical context, and emphasizes the link between political engagement and ethnographic accuracy.

This book was previously published as a special issue of Critical Asian Studies.

Four anthropologists, Elise Edwards, Ann Elise Lewallen, Bridget Love and Tomomi Yamaguchi, draw on their fieldwork experiences in Japan to demonstrate collectively the inadequacy of both the Code of Ethics developed by the American Anthropological Association (AAA) and the dictates of Institutional Review Boards (IRB) when dealing with messy human realities. The four candidly and critically explore the existential dilemmas they were forced to confront with respect to this inadequacy, for the AAA's code and IRBs consider neither the vulnerability and powerlessness of ethnographers nor the wholly unethical (and even criminal) deportment of some informants. As Jennifer Robertson points out in her Introduction, whereas the AAA's Code tends to perpetuate the stereotype of more advantaged fieldworkers studying less advantaged peoples, IRBs appear to protect their home institutions (from possible litigation) rather than living and breathing people whose lives are often ethically compromised irrespective of the presence of an ethnographer. In her commentary, Sabine Fruhstuck, who incurred ample experience with ethical dilemmas in the course of her pathbreaking ethnographic research on Japan's Self-Defense Forces, situates the four articles in a broader theoretical context, and emphasizes the link between political engagement and ethnographic accuracy. This book was previously published as a special issue of Critical Asian Studies.

Award-winning Yorkshire photographers Jennifer Robertson and Lynne Fletcher are not only hugely talented, they are also warm, witty and genuine. In fact we can't imagine anyone else who could have inspired so many of the county's most high-profile exports to give up their time to be photographed and to talk about their love of their home county. This unique book celebrates the inspirational Yorkshire men and women who are the best in their chosen field - actors, politicians, athletes, writers, musicians, historians, educators and medics. From the giants of entertainment to sporting heroes bringing home Olympic Gold, these photographs tell of Yorkshire grown achievement and success, on the national and international stage. What comes across most powerfully is that no matter how far Yorkshire men and women go, in distance or stardom, from the place of their birth, they are forever shaped by it, regularly return, and are intensely proud to belong.

Japan is arguably the first postindustrial society to embrace the prospect of human-robot coexistence. Over the past decade, Japanese humanoid robots designed for use in homes, hospitals, offices, and schools have become celebrated in the mass media and social media throughout the world. In Robo sapiens japanicus, Jennifer Robertson casts a critical eye on press releases and public relations videos that misrepresent actual robots as being as versatile and agile as their science fiction counterparts. An ethnography and sociocultural history of governmental and academic discourses of human-robot relations in Japan, this book explores how actual robots-humanoids, androids, animaloids-are "imagineered" in ways that reinforce the conventional sex/gender system and political-economic status quo. In addition, Robertson interrogates the notion of human exceptionalism as she considers whether "civil rights" should be granted to robots. Similarly, she juxtaposes how robots and robotic exoskeletons reinforce a conception of the "normal" body with a deconstruction of the much-invoked Theory of the Uncanny Valley.

The all-female Takarazuka Revue is world-famous today for its rococo musical productions, including gender-bending love stories, torridly romantic liaisons in foreign settings, and fanatically devoted fans. But that is only a small part of its complcated and complicit performance history. In this historically grounded analysis, anthropologist Jennifer Robertson draws from over a decade of fieldwork and archival research to explore how the Revue illuminates discourses of sexual politics, nationalism, imperialism and popular culture in 20th-century Japan. The Revue was founded in 1913 as a novel counterpart to the all-male Kabuki theatre. Tracing the contradictory meanings of Takarazuka productins over time, with special attention to the World War II period, Robertson illuminates the web of relationships among managers, directors, actors, fans and social critics, whose clashes and compromises textured the theatre and the wider society in colourful and complex ways. Using Takarazuka as a key to understanding the "logic" of everyday life in Japan and placing the Revue squarely in its own social, historical and cultural context, she challenges both the stereotypes of "the Japanese" and

Japan is arguably the first postindustrial society to embrace the prospect of human-robot coexistence. Over the past decade, Japanese humanoid robots designed for use in homes, hospitals, offices, and schools have become celebrated in the mass media and social media throughout the world. In Robo sapiens japanicus, Jennifer Robertson casts a critical eye on press releases and public relations videos that misrepresent actual robots as being as versatile and agile as their science fiction counterparts. An ethnography and sociocultural history of governmental and academic discourses of human-robot relations in Japan, this book explores how actual robots-humanoids, androids, animaloids-are "imagineered" in ways that reinforce the conventional sex/gender system and political-economic status quo. In addition, Robertson interrogates the notion of human exceptionalism as she considers whether "civil rights" should be granted to robots. Similarly, she juxtaposes how robots and robotic exoskeletons reinforce a conception of the "normal" body with a deconstruction of the much-invoked Theory of the Uncanny Valley.

This expertly crafted ethnography examines the ways in which native and new citizens of Kodaira, a Tokyo suburb, have both remade the past and imagined the future of their city in a quest for an "authentic" Japanese community.